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Wednesday, 20 July 2011
Sunday, 17 July 2011
Friday, 15 July 2011
Commitment to the Shot
One of the photographer's in the Foothills Camera Club made reference to being committed to the shot - doing whatever it takes to bring your vision to life. It makes sense because that it is probably the biggest difference between a snapshot and a great image.
The best shots are the result of planning, preparation and committing to getting everything in place to give your camera the best chance it has to get the image the way you, the photographer, want it. And really is this much of a surprise? With any endeavour the more you put into it the more you get out. Whether its scouting a location or finding the perfect model or getting up with the sun you have to not only want to get the shot but you have to put effort into the getting it. Just because the actual exposure is often measured in tenths or hundredths of a second, doesn't mean you can't measure the effort of getting the shot in terms of hours, days or even weeks and months.
An example of this was a shoot I did yesterday. I have photographed Vermilion Lakes a number of times, at different times of day and at different times of the year. On one level its kinda "been there done that" but I still find I can get markably different and unique images so I keep heading out there. Thus far, for all the times I have been out there I haven't shot the lakes at sunrise. The challenge, however, at this time of year is that sunrise is especially early. Try 5:29 am local time. Added to this is the fact that I am about an hour and a half or so from Banff and of course a sunrise isn't something you want to arrive "just in time" for. So in light of this, my day started at about 2:50 am.
So my personal commitment to this shot meant getting up extremely early and driving a fairly long distance to get the shot. I even got my feet wet to get my tripod and camera in the position I wanted. The image I wanted deserved this commitment though.
Shooting babies in front of their moms! Eeek!
Catchy title but not as bad as it sounds. Perhaps it would be better stated to say that I took pictures of baby geese instead but what the heck. I may as well go for the cheap laugh.
All kidding aside, this was a great shoot back in early June. The babies are a lot cuter in the beginning of May but I didn't get out at that time unfortunately. These guys were in their "tweens". Now that we are in July, they are definitely gangly teenagers and are starting to get their feathers so they look awkward and a little ugly. Kinda like human teenagers I would say.
The goslings are pretty much an annual event for me. To be honest, they all look the same but its hard to resist sitting down and watching them. There are certain subjects that I find interesting to shoot and the goslings are one of the big ones. I haven't tagged all of the shots I have taken of them but I probably have about a thousand or so frames of their fuzzy yellow cuteness.
All kidding aside, this was a great shoot back in early June. The babies are a lot cuter in the beginning of May but I didn't get out at that time unfortunately. These guys were in their "tweens". Now that we are in July, they are definitely gangly teenagers and are starting to get their feathers so they look awkward and a little ugly. Kinda like human teenagers I would say.
The goslings are pretty much an annual event for me. To be honest, they all look the same but its hard to resist sitting down and watching them. There are certain subjects that I find interesting to shoot and the goslings are one of the big ones. I haven't tagged all of the shots I have taken of them but I probably have about a thousand or so frames of their fuzzy yellow cuteness.
Photo Shock
The iPhone also has a lot of different apps so I edit my shots in creative and interesting ways that I may not even attempt with Lightroom or Photoshop. A lot of the effects tend to replicate old film but some of the effects are more modern. Camera+, Instagram, Hipstamatic, and Photoshop Express are a few of my favorites.
I also like the in-camera HDR that the native camera app allows me to use. The iPhone has limited dynamic range so high contrast scenes are hard to capture. The HDR option allows me to compensate for this to a certain extent.
One small feature, which actually made me decide to get the iPhone instead of the Google Android is the flash. Yes it's right beside the lens so it's not ideal but it does allow me to add a bit of fill light. One knock against the iPhone is how it performs in low light so the flash helps. I haven't tried triggering another flash with it so I am curious to try.
The iPhone isn't going to replace my dSLR however it's good enough to act as a point & shoot
| High Contrast scenes like this one are difficult to capture with any camera. The in-camera HDR option allowed me to successfully get this shot though |
One small feature, which actually made me decide to get the iPhone instead of the Google Android is the flash. Yes it's right beside the lens so it's not ideal but it does allow me to add a bit of fill light. One knock against the iPhone is how it performs in low light so the flash helps. I haven't tried triggering another flash with it so I am curious to try.
The iPhone isn't going to replace my dSLR however it's good enough to act as a point & shoot
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